by Bill Rice, The Troy Record, August 2, 1972
You can learn a lot about a performer after a concert is over at the Saratoga Performing Arts Center. There are some who insist …
by Bill Rice, The Troy Record, August 1, 1972
Don’t talk to the Preservation Hall Jazz Band about such things as language barriers or generation gaps. To them, no such things exist.
We …
by Bill Rice, The Troy Record, July 18, 1972
People who sit on the lawn at pops concerts at the Saratoga Performing Arts Center are always taking a beating in the newspapers. …
by Bill Rice, The Troy Record, July 11, 1972
Liberace only cries, as the famous joke about him goes, on the way lo the bank. The entire secret of the man’s success, as demonstrated …
by Bill Rice, The Troy Record, July 11, 1972
Liberace only cries, as the famous joke about him goes, on the way lo the bank. The entire secret of the man’s success, as demonstrated …
by Bill Rice, The Troy Record, July 4, 1972
Melba Moore’s concert at the Saratoga Performing Arts Center Sunday evening proved that big voices can sometimes come in small packages. …
by Bill Rice, The Troy Record, July 3, 1972
Last fall, a relatively unknown singer stood with his guitar on the stage of the RPI Field House, preceding a Blood, Sweat …
by Bill Rice, The Troy Record, August 15, 1972

by Bill Rice, The Troy Record, June 30, 1972
Four rock groups were heard in concert Wednesday evening at the Saratoga Performing Arts Center. It was unfortunate so many were there. It was …
by Bill Rice, The Troy Record, June 27, 1972
There was some lalent in the 1950s Rock & Roll Review at the Saratoga Performing Arts Center Sunday evening, but one had …
by Bill Rice, The Troy Record, June 26, 1972
It took a blg, big man to give the Saratoga Performing Arts Center its first sold out amphitheatre concert. The man—Johnny Cash.
Extra …
by Bill Rice, The Troy Record, June 20, 1972
Three different acts, Tom Rush and his band, singer Pamela Polland, and the Kenny Loggins Band with Jim Messina, performed in what almost …
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